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Leaves of Grass – Part 2

An aerial wander through the land of the midnight sun– Alaska, over the summer solstice. Where magic hour is never just an hour… All shots with the Phantom 2 and the GoPro Hero 3+ around Wrangell, AK and Anchorage, AK.

Walt Whitman

Walt Whitman

In 1855 Whitman published at his own expense a volume of 12 poems,Leaves of Grass, which he had begun working on probably as early as 1847. It was criticized because of Whitman’s exaltation of the body and sexual love and also because of its innovation in verse form—that is, the use of free verse in long rhythmical lines with a natural, “organic” structure.

This work remains a masterpiece in American Poetry. Groundbreaking. Brilliant.

 

Leaves of Grass

(Part 2)

leaves2

 

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen, and receives proof in its turn.

Showing the best, and dividing it from the worst, age vexes age;
Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself.

Welcome is every organ and attribute of me, and of any man hearty and clean;
Not an inch, nor a particle of an inch, is vile, and none shall be less familiar than the rest.

I am satisfied—I see, dance, laugh, sing:
As the hugging and loving Bed-fellow sleeps at my side through the night, and withdraws at the peep of the day, with stealthy tread,
Leaving me baskets cover’d with white towels, swelling the house with their plenty,
Shall I postpone my acceptation and realization, and scream at my eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me a cent,
Exactly the contents of one, and exactly the contents of two, and which is ahead?
Trippers and askers surround me;
People I meet—the effect upon me of my early life, or the ward and city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks, or of myself, or ill-doing, or loss or lack of money, or depressions or exaltations;
Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events;
These come to me days and nights, and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am;
Stands amused, complacent, compassionating, idle, unitary;
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head, curious what will come next;
Both in and out of the game, and watching and wondering at it.

Backward I see in my own days where I sweated through fog with linguists and contenders;
I have no mockings or arguments—I witness and wait.

 

I believe in you, my Soul—the other I am must not abase itself to you;
And you must not be abased to the other.

Loafe with me on the grass—loose the stop from your throat;
Not words, not music or rhyme I want—not custom or lecture, not even the best;
Only the lull I like, the hum of your valved voice.

I mind how once we lay, such a transparent summer morning;
How you settled your head athwart my hips, and gently turn’d over upon me,
And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my feet.

Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth;
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own;
And that all the men ever born are also my brothers, and the women my sisters and lovers;
And that a kelson of the creation is love;
And limitless are leaves, stiff or drooping in the fields;
And brown ants in the little wells beneath them;
And mossy scabs of the worm fence, and heap’d stones, elder, mullen and poke-weed.

~ Walt Whitman

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